/*
 * PopCo Atmos 1.8.18
 * Final alignment pass for the critique archive.
 */

body.tax-popco_editoria.term-criticas .critique-archive-grid {
  align-items: start;
}

body.tax-popco_editoria.term-criticas .review-poster-card {
  display: flex;
  flex-direction: column;
  min-width: 0;
}

body.tax-popco_editoria.term-criticas .review-card-copy {
  padding-top: 14px;
}

body.tax-popco_editoria.term-criticas .review-card-copy > span {
  display: block;
  line-height: 1.2;
}

body.tax-popco_editoria.term-criticas .review-card-copy h2 {
  display: -webkit-box;
  min-height: 2.36em;
  overflow: hidden;
  overflow-wrap: anywhere;
  -webkit-box-orient: vertical;
  -webkit-line-clamp: 2;
}

body.tax-popco_editoria.term-criticas .review-byline {
  align-items: center;
  display: flex;
  gap: 8px;
  margin-top: 12px;
  min-height: 30px;
  width: 100%;
}

body.tax-popco_editoria.term-criticas .review-byline__author {
  align-items: center;
  display: flex;
  flex: 1 1 auto;
  gap: 7px;
  min-width: 0;
}

body.tax-popco_editoria.term-criticas .review-byline__author > span {
  color: #6a788d;
  display: block;
  font-size: 0.66rem;
  line-height: 1.25;
  min-width: 0;
  overflow: hidden;
  text-overflow: ellipsis;
  white-space: nowrap;
}

body.tax-popco_editoria.term-criticas .review-avatar {
  aspect-ratio: 1 / 1;
  border: 1px solid #557086;
  border-radius: 999px;
  display: block;
  flex: 0 0 30px;
  grid-row: auto;
  height: 30px;
  max-width: none;
  min-width: 30px;
  object-fit: cover;
  object-position: center;
  padding: 0;
  width: 30px;
}

body.tax-popco_editoria.term-criticas .review-audience-score {
  color: #5d696d;
  flex: 0 0 auto;
  font-size: 0.66rem;
  line-height: 1;
  margin-left: auto;
  white-space: nowrap;
}

@media (max-width: 620px) {
  body.tax-popco_editoria.term-criticas .critique-archive-grid {
    column-gap: 16px;
    row-gap: 34px;
  }

  body.tax-popco_editoria.term-criticas .review-card-copy {
    padding-top: 12px;
  }

  body.tax-popco_editoria.term-criticas .review-card-copy h2 {
    font-size: 1rem;
    min-height: 2.4em;
  }

  body.tax-popco_editoria.term-criticas .review-byline {
    gap: 6px;
    margin-top: 10px;
    min-height: 27px;
  }

  body.tax-popco_editoria.term-criticas .review-byline__author {
    gap: 6px;
  }

  body.tax-popco_editoria.term-criticas .review-byline__author > span,
  body.tax-popco_editoria.term-criticas .review-audience-score {
    font-size: 0.6rem;
  }

  body.tax-popco_editoria.term-criticas .review-avatar {
    flex-basis: 27px;
    height: 27px;
    min-width: 27px;
    width: 27px;
  }
}

@media (max-width: 370px) {
  body.tax-popco_editoria.term-criticas .critique-archive-grid {
    column-gap: 12px;
  }

  body.tax-popco_editoria.term-criticas .review-byline__author > span,
  body.tax-popco_editoria.term-criticas .review-audience-score {
    font-size: 0.56rem;
  }

  body.tax-popco_editoria.term-criticas .review-avatar {
    flex-basis: 25px;
    height: 25px;
    min-width: 25px;
    width: 25px;
  }
}